Quaver described the baroque period as how to#

The musical needs of that institution, therefore, dictated the music the composer produced, giving us a fascinating window into history. Composers only earned a living writing music if they were fortunate enough to be on the payroll of a political or religious institution. Below them came the mass of the population, craftsmen, tenant farmers and laborers. Below them were yeomen, farmers who owned their own land who were comfortably off but often worked alongside their men. Gentlemen were not quite rich but they were certainly well off. At the top were the nobility, living lavishly. Life during the Baroque period was based on one’s class. European nations became involved with foreign trade and colonization, and the growth of a new middle class breathed life into an artistic culture long dependent on the whims of church and court. “Baroque” is now a convenient catch-all for one of the richest and most diverse periods in history, which saw the acceptance of Copernicus’s 16th century theory that the planets didn’t revolve around the earth, Galileo’s work acquainting people with the cosmos, advances in technology such as the invention of the telescope, and the great masters such as Rubens, Rembrandt and Shakespeare who offered unique perspectives through their art. The comparison to a misshapen pearl came from critics who described the music of Bach and Handel’s era to be overly ornamented and exaggerated. But as you head into the theater, you may be wondering…What defines Baroque art? What were the customs for people during this time? What would it be like to attend a performance in the 17th Century?ĭerived from the Portuguese barroco, or “oddly shaped pearl,” the term “baroque” has been widely used to describe the period in Western European art and music from 1600 to 1750. This article was most recently revised and updated by Naomi Blumberg.From music to costumes to scenic elements, Quantum’s The Winter’s Tale aptly portrays the Baroque period, while adding a contemporary twist. For a detailed treatment of Baroque music, see Western music: The Baroque era. Other notable German Baroque composers include Heinrich Schütz, Dietrich Buxtehude, and Georg Philipp Telemann. In England the total theatrical experience of the Stuart masques was followed by the achievements in vocal music of the German-born, Italian-trained George Frideric Handel, while his countryman Johann Sebastian Bach developed Baroque sacred music in Germany. Jean-Baptiste Lully, a major composer of opera, and Jean Philippe Rameau were the masters of Baroque music in France. The instrumental tradition in Italy found its great Baroque composers in Arcangelo Corelli, Antonio Vivaldi, and Giuseppe Tartini. Claudio Monteverdi was the first great composer of the “new music.” He was followed in Italy by Alessandro Scarlatti and Giovanni Pergolesi. The opera, oratorio, and cantata were the most important new vocal forms, while the sonata, concerto, and overture were created for instrumental music.

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Quaver described the baroque period as how to#

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